The Screenwriter App Screenplay Test
You've finished the test! Here's how you scored:
Your script is 42% good.
Before you submit it to any readers, take some time to review the report below and amend your script accordingly. Then retake the test...
Your screenplay report
I used a professional screenwriting tool, such as the Screenwriter app, Final Draft, Celtx or Movie Magic Screenwriter, to format my scriptWhat?! Download the Screenwriter app right now! It's a fraction of the cost of the big screenwriting packages and will format your script professionally. There should be no reason to use a standard word processor.
I've read my script backwards, as well as forwards.
This is a great way to weed out plot inconsistencies. By starting with the last scene and then working backwards, your linear story-telling functions are befuddled, and quite often mistakes in plotting jump out at you.
My script has a lot of action paragraphs that are more than three lines long.
The screenplay is a blueprint. If you have lots of dense paragraphs of action, it makes life difficult for readers, the crew, and director to figure out what's going on.
Stick to the 'one shot per line' rule. It will make the script far more readable, and force you to think in terms of what both what the viewer will see on the screen, and what the crew have to shoot to achieve that.
The FADE IN: on the first line of my script is on the right-hand side of the page.
This is a minor thing, but it does aggravate many readers and tends to call out the pros from the amateurs.
The first FADE IN: of a script should be on the left. The logic being that this isn't a proper transition, as there is nothing to FADE IN from.
The final FADE OUT: should on the right (the logic slightly failing there, but hey!). If you are using professional software like the Screenwriter app, Movie Magic Screenwriter or Final Draft, this will be positioned for you.
My script has the words 'CUT TO:' at the end of every scene.
Putting CUT TO: at the end of the scene is redundant. It's the end of the scene, of course you are going to cut to something else. All you've done is add an extra page to your screenplay of useless information. Get rid of them!
My dialogue is littered with multiple exclamation marks!!!
If you listen to people when they talk, they rarely get agitated enough to exclaim something in a way that would need an exclamation mark if it were written. Yet, we all have a tendency to overdo the dialogue in our scripts. Read your dialogue aloud when you write it. Does it require three exclamation marks after it, or would one, or even none, suffice?
My character and place names are consistent.
We've all done it; got half-way through an edit and thought of a more appropriate name for a character or location.
Did that happen in this draft? Have you removed all the references to the old names? It's one surefire way to confuse readers if you haven't.
I have read all of my dialogue out loud to see if it sounds OK and is easy to say.
This should be a standard part of your screenwriting development. Read your dialogue out loud or, even better, have someone read it out to you. They will have no preconceived ideas of how you intended it to be written. What sounds great in your head often sounds terrible when spoken.
As Harrison Ford once quipped at George Lucas across the studio, “George! You can type this shit, but you sure can't say it. Move your mouth when you're typing.”