The Screenwriter App Screenplay Test
You've finished the test! Here's how you scored:
Your script is 55% good.
Before you submit it to any readers, take some time to review the report below and amend your script accordingly. Then retake the test...
Your screenplay report
The FADE IN: on the first line of my script is on the right-hand side of the page.This is a minor thing, but it does aggravate many readers and tends to call out the pros from the amateurs.
The first FADE IN: of a script should be on the left. The logic being that this isn't a proper transition, as there is nothing to FADE IN from.
The final FADE OUT: should on the right (the logic slightly failing there, but hey!). If you are using professional software like the Screenwriter app, Movie Magic Screenwriter or Final Draft, this will be positioned for you.
I used a professional screenwriting tool, such as the Screenwriter app, Final Draft, Celtx or Movie Magic Screenwriter, to format my script
What?! Download the Screenwriter app right now! It's a fraction of the cost of the big screenwriting packages and will format your script professionally. There should be no reason to use a standard word processor.
My character and place names are consistent.
We've all done it; got half-way through an edit and thought of a more appropriate name for a character or location.
Did that happen in this draft? Have you removed all the references to the old names? It's one surefire way to confuse readers if you haven't.
My script has the words 'CUT TO:' at the end of every scene.
Putting CUT TO: at the end of the scene is redundant. It's the end of the scene, of course you are going to cut to something else. All you've done is add an extra page to your screenplay of useless information. Get rid of them!
My script has camera directions in the action paragraphs.
Most directors and cinematographers will want to put their stamp on the film. Also, the eventual set may be nothing like how you imagine it in your head, which will also dictate what options the crew have. Unless you intend to shoot the film yourself, there's no point specifying camera moves.
However! You can be subtle about it. Using the 'one shot per line' rule, you can surreptitiously control what gets shot. For example, 'Water spills onto the computer,' would instinctively be a close-up.
I try to put one shot per paragraph of action.
By breaking up your action paragraphs so each line/paragraph is one single shot, you can tell the visual story in a clear and concise way.
Multiple actions or shots within one paragraph make it harder for the reader to understand what's going on and for the crew to decide what needs to be shot.