The Screenwriter App Screenplay Test
You've finished the test! Here's how you scored:
Your script is 66% good.
Before you submit it to any readers, take some time to review the report below and amend your script accordingly. Then retake the test...
Your screenplay report
I've read my script backwards, as well as forwards.This is a great way to weed out plot inconsistencies. By starting with the last scene and then working backwards, your linear story-telling functions are befuddled, and quite often mistakes in plotting jump out at you.
My character and place names are consistent.
We've all done it; got half-way through an edit and thought of a more appropriate name for a character or location.
Did that happen in this draft? Have you removed all the references to the old names? It's one surefire way to confuse readers if you haven't.
The word 'we' regularly appears in the action sections of my script. (for example, 'We see a huge spaceship fly into frame').
The word 'we' is always redundant. Remember, your script is a blueprint, it should be as concise as possible.
Just stick to the facts and describe them as simply as possible. Instead of 'We see the robot move across the room,' simply say, 'The robot moves across the room.' It's far more direct and keeps the reader in the story.
My script has camera directions in the action paragraphs.
Most directors and cinematographers will want to put their stamp on the film. Also, the eventual set may be nothing like how you imagine it in your head, which will also dictate what options the crew have. Unless you intend to shoot the film yourself, there's no point specifying camera moves.
However! You can be subtle about it. Using the 'one shot per line' rule, you can surreptitiously control what gets shot. For example, 'Water spills onto the computer,' would instinctively be a close-up.
My script has a lot of action paragraphs that are more than three lines long.
The screenplay is a blueprint. If you have lots of dense paragraphs of action, it makes life difficult for readers, the crew, and director to figure out what's going on.
Stick to the 'one shot per line' rule. It will make the script far more readable, and force you to think in terms of what both what the viewer will see on the screen, and what the crew have to shoot to achieve that.