The Screenwriter App Screenplay Test
You've finished the test! Here's how you scored:
Your script is 58% good.
Before you submit it to any readers, take some time to review the report below and amend your script accordingly. Then retake the test...
Your screenplay report
I've read my script backwards, as well as forwards.This is a great way to weed out plot inconsistencies. By starting with the last scene and then working backwards, your linear story-telling functions are befuddled, and quite often mistakes in plotting jump out at you.
My action sections are littered with expletives.
This is really just a call-out to be sensitive to all the other people that will read your script. Most would accept bad language from characters, but a lot of swearing in your action sequences just makes you look potty-mouthed. Others may find that offensive.
I used a professional screenwriting tool, such as the Screenwriter app, Final Draft, Celtx or Movie Magic Screenwriter, to format my script
What?! Download the Screenwriter app right now! It's a fraction of the cost of the big screenwriting packages and will format your script professionally. There should be no reason to use a standard word processor.
My script has the words 'CUT TO:' at the end of every scene.
Putting CUT TO: at the end of the scene is redundant. It's the end of the scene, of course you are going to cut to something else. All you've done is add an extra page to your screenplay of useless information. Get rid of them!
I try to put one shot per paragraph of action.
By breaking up your action paragraphs so each line/paragraph is one single shot, you can tell the visual story in a clear and concise way.
Multiple actions or shots within one paragraph make it harder for the reader to understand what's going on and for the crew to decide what needs to be shot.
My script has camera directions in the action paragraphs.
Most directors and cinematographers will want to put their stamp on the film. Also, the eventual set may be nothing like how you imagine it in your head, which will also dictate what options the crew have. Unless you intend to shoot the film yourself, there's no point specifying camera moves.
However! You can be subtle about it. Using the 'one shot per line' rule, you can surreptitiously control what gets shot. For example, 'Water spills onto the computer,' would instinctively be a close-up.