The Screenwriter App Screenplay Test
You've finished the test! Here's how you scored:
Your script is 47% good.
Before you submit it to any readers, take some time to review the report below and amend your script accordingly. Then retake the test...
Your screenplay report
I used a professional screenwriting tool, such as the Screenwriter app, Final Draft, Celtx or Movie Magic Screenwriter, to format my scriptWhat?! Download the Screenwriter app right now! It's a fraction of the cost of the big screenwriting packages and will format your script professionally. There should be no reason to use a standard word processor.
My character and place names are consistent.
We've all done it; got half-way through an edit and thought of a more appropriate name for a character or location.
Did that happen in this draft? Have you removed all the references to the old names? It's one surefire way to confuse readers if you haven't.
I have more than five parentheticals (wrylies) in the whole script.
Actors don't like to be told how to act. They like to get into the character and respond in natural ways. If you try to specify how they are to deliver a line through the use of wrylies, you will get their back up.
The only real legitimate use of wrylies is if the character is deliberately acting in a specific way that affects the story, or to clarify who is saying what to whom.
I have read all of my dialogue out loud to see if it sounds OK and is easy to say.
This should be a standard part of your screenwriting development. Read your dialogue out loud or, even better, have someone read it out to you. They will have no preconceived ideas of how you intended it to be written. What sounds great in your head often sounds terrible when spoken.
As Harrison Ford once quipped at George Lucas across the studio, “George! You can type this shit, but you sure can't say it. Move your mouth when you're typing.”
My script has the words 'CUT TO:' at the end of every scene.
Putting CUT TO: at the end of the scene is redundant. It's the end of the scene, of course you are going to cut to something else. All you've done is add an extra page to your screenplay of useless information. Get rid of them!
I try to put one shot per paragraph of action.
By breaking up your action paragraphs so each line/paragraph is one single shot, you can tell the visual story in a clear and concise way.
Multiple actions or shots within one paragraph make it harder for the reader to understand what's going on and for the crew to decide what needs to be shot.
The word 'we' regularly appears in the action sections of my script. (for example, 'We see a huge spaceship fly into frame').
The word 'we' is always redundant. Remember, your script is a blueprint, it should be as concise as possible.
Just stick to the facts and describe them as simply as possible. Instead of 'We see the robot move across the room,' simply say, 'The robot moves across the room.' It's far more direct and keeps the reader in the story.