The Screenwriter App Screenplay Test
You've finished the test! Here's how you scored:
Your script is 45% good.
Before you submit it to any readers, take some time to review the report below and amend your script accordingly. Then retake the test...
Your screenplay report
The FADE IN: on the first line of my script is on the right-hand side of the page.This is a minor thing, but it does aggravate many readers and tends to call out the pros from the amateurs.
The first FADE IN: of a script should be on the left. The logic being that this isn't a proper transition, as there is nothing to FADE IN from.
The final FADE OUT: should on the right (the logic slightly failing there, but hey!). If you are using professional software like the Screenwriter app, Movie Magic Screenwriter or Final Draft, this will be positioned for you.
My action sections are littered with expletives.
This is really just a call-out to be sensitive to all the other people that will read your script. Most would accept bad language from characters, but a lot of swearing in your action sequences just makes you look potty-mouthed. Others may find that offensive.
I used a professional screenwriting tool, such as the Screenwriter app, Final Draft, Celtx or Movie Magic Screenwriter, to format my script
What?! Download the Screenwriter app right now! It's a fraction of the cost of the big screenwriting packages and will format your script professionally. There should be no reason to use a standard word processor.
I have read all of my dialogue out loud to see if it sounds OK and is easy to say.
This should be a standard part of your screenwriting development. Read your dialogue out loud or, even better, have someone read it out to you. They will have no preconceived ideas of how you intended it to be written. What sounds great in your head often sounds terrible when spoken.
As Harrison Ford once quipped at George Lucas across the studio, “George! You can type this shit, but you sure can't say it. Move your mouth when you're typing.”
I've read my script backwards, as well as forwards.
This is a great way to weed out plot inconsistencies. By starting with the last scene and then working backwards, your linear story-telling functions are befuddled, and quite often mistakes in plotting jump out at you.
My dialogue is littered with multiple exclamation marks!!!
If you listen to people when they talk, they rarely get agitated enough to exclaim something in a way that would need an exclamation mark if it were written. Yet, we all have a tendency to overdo the dialogue in our scripts. Read your dialogue aloud when you write it. Does it require three exclamation marks after it, or would one, or even none, suffice?
I have checked the screenplay for typos.
Really, there are no excuses here. Run that spellchecker and weed out those typos.
My script has camera directions in the action paragraphs.
Most directors and cinematographers will want to put their stamp on the film. Also, the eventual set may be nothing like how you imagine it in your head, which will also dictate what options the crew have. Unless you intend to shoot the film yourself, there's no point specifying camera moves.
However! You can be subtle about it. Using the 'one shot per line' rule, you can surreptitiously control what gets shot. For example, 'Water spills onto the computer,' would instinctively be a close-up.