The Screenwriter App Screenplay Test
You've finished the test! Here's how you scored:
Your script is 39% good.
Before you submit it to any readers, take some time to review the report below and amend your script accordingly. Then retake the test...
Your screenplay report
I have checked the screenplay for typos.Really, there are no excuses here. Run that spellchecker and weed out those typos.
I have read all of my dialogue out loud to see if it sounds OK and is easy to say.
This should be a standard part of your screenwriting development. Read your dialogue out loud or, even better, have someone read it out to you. They will have no preconceived ideas of how you intended it to be written. What sounds great in your head often sounds terrible when spoken.
As Harrison Ford once quipped at George Lucas across the studio, “George! You can type this shit, but you sure can't say it. Move your mouth when you're typing.”
I have more than five parentheticals (wrylies) in the whole script.
Actors don't like to be told how to act. They like to get into the character and respond in natural ways. If you try to specify how they are to deliver a line through the use of wrylies, you will get their back up.
The only real legitimate use of wrylies is if the character is deliberately acting in a specific way that affects the story, or to clarify who is saying what to whom.
My character and place names are consistent.
We've all done it; got half-way through an edit and thought of a more appropriate name for a character or location.
Did that happen in this draft? Have you removed all the references to the old names? It's one surefire way to confuse readers if you haven't.
I used a professional screenwriting tool, such as the Screenwriter app, Final Draft, Celtx or Movie Magic Screenwriter, to format my script
What?! Download the Screenwriter app right now! It's a fraction of the cost of the big screenwriting packages and will format your script professionally. There should be no reason to use a standard word processor.
My script has the words 'CUT TO:' at the end of every scene.
Putting CUT TO: at the end of the scene is redundant. It's the end of the scene, of course you are going to cut to something else. All you've done is add an extra page to your screenplay of useless information. Get rid of them!
I've read my script backwards, as well as forwards.
This is a great way to weed out plot inconsistencies. By starting with the last scene and then working backwards, your linear story-telling functions are befuddled, and quite often mistakes in plotting jump out at you.
My script has a lot of action paragraphs that are more than three lines long.
The screenplay is a blueprint. If you have lots of dense paragraphs of action, it makes life difficult for readers, the crew, and director to figure out what's going on.
Stick to the 'one shot per line' rule. It will make the script far more readable, and force you to think in terms of what both what the viewer will see on the screen, and what the crew have to shoot to achieve that.